SunnyHello Nice effects though.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

murphyncg Shearsmith and Pemberton are genius in so many ways. The way they hint at the ending earlier on in the episode does of course require lots of skill, but there are other absolutely genius bits of writing and skill which go unnoticed. The way they structure the episodes, the way they develop characters and the way that they make sure that every line matters are incredibly difficult to do, but they manage it. All while adding hints of comedy. Yes, there are some episodes that aren't as interesting, but the series makes up for it with episodes that are some of the best that tv can offer.

MegaMaexn Actually more miss than hit. Unfortunately! Having watched season 1 and 2 there are only three good episodes: 'Sardines', 'A quiet night in' and 'The 12 days of Christine', you can safely miss the others as the writers are trying too hard to be funny or come up with a surprising twist, that in my opinion mostly just fizzles out in the end. Not sure I will want to watch any more...

zwang-86368 Yes, it is short, and yes, I don't think it's long enough to make me satisfied every time. This is a really good show if you just sit down, be patient, watch it, and think. Steve and Reece are my favorite and two of the most talented producers and writers I know. Really want to support this show. Don't make it stop.

Matt James But a lot better in many respects. With only one episode left this has been an interesting ride.Shearsmith & Pemberton work/write very well together and their pedigree is indisputable. Some of the twists could have been less telegraphed but overall the quality of the work is high and evident and its diversity will find fans amongst most viewers.What works well is the casting done afresh for each episode (other than Pemberton and Shearsmith who are chameleons.) It shares the love and lends separation between tales. A mix of big hitters and new blood can make the writing shine.I confess that Sardines was making me impatient at first - the mortifying awkwardness of Ian for example - but when we finally are given the reason for "Stinky" John's aversion to soap and the darkness really begins to gather it becomes compelling.Tom and Gerri was a really sterling tale. The twist was neatly concealed and delivered with a sting. Gemma Arterton was a great choice for Gerri with that rare combination of flawless beauty and earthiness that is the golden rock to which Tom's life is moored. The pathetic figure of Migg was so woebegone that it made the thing work - who couldn't feel sympathy for such a bedraggled battered figure? So when things turn sinister it feels like a betrayal.Last Gasp fell a little flat for me though Tamsin Grieg added a frisson with salty language and a heartless character. The Understudy was fun, particularly Pemberton's drunken thespianic rants and the twist another kicker.Overall a splendid work. I sincerely hope these gentlemen can produce more like this because contemporary television needs all the help it can get.