ManiakJiggy This is How Movies Should Be Made

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

lawrenceconwayvulcan KYTV is a show that has been forgotten in the years since it has been shown. Part of the reason is that much more savage though no less funny shows like The Day Today and Brass Eye stole it's thunder. Yet in a way it paved the way for those shows. Each episode centres on a type of programme , for example the coverage of a Boxing title fight has in it's action reply of the poor contender being shown knocked out in a large number of angles some of which would require the camera to be inside the ring itself. The cast of Helen Aktinson-Wood, Angus Deyton, Micheal Fenton-Stevens,Philip Pope and Gefforey (who also produced the show) Perkins performing as both regular characters and one-offs provide many memorable moments including one in which Anneka Rice comes face to face with someone ripping off one of her programmes. It is about time that KYTV should be lauded as the ground breaking show it was, perhaps with a repeat run.

ShadeGrenade With its wall-to-wall soaps, crass quiz shows, tacky news coverage and brainless reality series, the launching of Rupert Murdoch's 'Sky T.V.' in 1988 led some commentators to gloomily predict the beginning of the end for British television. 'K.Y.T.V.' was a retaliatory strike against this new threat; by ridiculing Sky's output it hoped to stave off the tidal wave of 'dumbed down' dross. The first edition featured the striptease game 'Gettem Off!' and a pop show hosted by Ernie Wise and Eddie 'The Eagle' Edwards. A World War Two tribute had presenters who clearly had no idea what they were talking about, and reconstructions of famous wartime events done with shop window dummies. The series grew out of the Radio 4 comedy 'Radio Active' with the same cast reprising their roles. Funny though it was it failed to have the intended impact. Terrestrial television eventually decided 'if you can't beat 'em, join 'em'. 'K.Y.T.V'. was British television's last scream of despair. Before the lunatics took over the asylum...

David_Frames This spoof of the then embryonic SKY TV satellite network surfaced just after UK Television was deregulated in the late 1980's. This meant that the whereas up to that point you'd had 4 television channels, regulated by government to control content and quality and of course free to view (bar the licence fee that funded and indeed funds the BBC) – now anyone in theory could add a t.v channel onto the new satellite based service. In 1989, despite the promise of more channels and therefore more choice, the curious euphemism for repeats, SKY was still considered a bit of a joke – in contrast to the relatively high quality of Terrestrial broadcasting and the pool of talent it had monopolised for 50 years, SKY seemed tacky and low-brow by comparison – toe curling (un)original programming acting as water breaks between streams of cheap US imports, lashings of repeats (something people had always complained about – now they were willing to pay to see them) and as I recall,dreadful Euro stations that no-one wanted to watch – one channel was just a burning fireplace. KYTV sent up this absurd low-brow Daily Star bullsh*t. Coaxing the proles by buying up all the football and therefore bribing them with their own money to take up a service they'd previous enjoyed for nothing, SKY appealed to the viewers worst instincts. Why watch original comedy, documentaries and domestically produced drama made to quota when you could pay £30 a month to see wall to wall movies, footie and of course tits on some of the more racy German T.V networks? Deayton, Atkinson-Wood and co. made it all look very funny – appalling programmes, shameless advertising, terrible presenters. Why KYTV seems even better now than then is that it predicted something no-one could imagine, that one day 10m people would be subscribing to the visual equivalent of dysentery. Who in 1989 would have believed that by 2006 SKY would be a major player in the UK TV marketplace and that despite being no better now than it was then, it would have convinced enough people to pay to support its sports monopoly and maintain a network that offered no original content – just ream upon ream of stuff ripped from the US broadcasters thus allowing Sky to keep its costs down and make maximum bread for News International and that Australian American Scrotum that sits on the top of the cash pile. Meanwhile TV has become more niche marketed because everyone in UK broadcasting wants us to become American – apparently we don't want channels with varied schedules, catering for a variety of audiences; that's akin to some kind of antiquated lunacy. Now audiences decline, hundreds of channels sprout up with nothing to show thus more repeats, low budgets, rock bottom quality programmes and of course no innovation because the market makes risk to, er, risky. That's the current state of play and that, not KYTV is the real joke. If it went out today it'd be part of the Sky Digital package.

Mozart-12 K.Y.T.V. (instead of SKY TV, an english satellite channel) is a parody on not just English television, but ANY television. They've got news, commercialbreaks, TV-dramas, gameshows, talkshows, phone-ins and all the stuff only a TV-channel with no skills and no budget can produce. The writers of this really funny series are Geoffrey Perkins and Angus Deayton, who also stars as the TV-station's anchormen. We follow the rise of the station, from the start (which is postponed almost a year) through the highlights as "Brown-nose day", "Talking Head" (a show on sex, of course), and "The Sexciting Sixties", a trip along the memory lane which ends with a superb documentary on Woodstock 3 - complete with Neil Young, Bob Dylan and Frank Sinatra (?). Every detail in the series of K.Y.T.V. is polished on and gives a realistic impression. It feels like you're watching a real TV-station, only this one is full of goofs, jokes and a high number of puns. It is the most well-written and well- produced show on television I've ever seen. The actors' timing is absolutely impeccable and I'm pleased to see they are mocking the hysteria of TV as a media. I mean, watch an average satellite channel in any given country and you'll find equally funny stuff - not meant to be funny!K.Y.T.V. is english humour at it's best - great comedy to which all of us can relate - we've all watched TV since we were kids, right? So if you're getting a chance to watch it - do!