PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Charles Herold (cherold) The things from our childhood often stick with us, so perhaps I remember so many moments from this series because my brain had so much more room for stuff at the time. Yet even thinking back on the sketches I recall, they were wonderfully ingenious. I recall they were often quite funny, although who knows if I would find them so today. Even though it could be seen as a sex-obsessed sketch-comedy show, it was a show with something to say about love and often said it very well. And so I'd just like to mention the sketches that have stuck with for the last 40 years.An impressionist (played by Rich Little) brings a girl back to his room. He continually speaks to her as other people. She finds that weird, and insists that he talk to her as himself. He turns out to be a nebbish, and at the end she says, "give me Kirk Douglas."A scientist wants to find the perfect way to sleep with a girl. He invents a time machine, and he keeps screwing up and then going back in time. Finally he just says, after trying many elaborate ploys, would you like to go out? She says of course, and then the time machine breaks and she's caught in a perpetual loop of saying yes.A guy gets a date with a nude model. He's very excited. It turns out she's totally okay with getting naked, except for one thing; she won't take her gloves off. So he becomes obsessed with seeing her hands. I think he might propose to get those gloves off.And my favorite:As a joke (or perhaps a test), a man on a honeymoon tells his new wife that he's bald, and he hopes she can deal with that. To make him feel better, she tells him every embarrassing secret she has. At the end, he decides to shave his head every day for the rest of his life so she doesn't feel like an idiot.There was actually a great pilot for a revival in 1999. So sad it didn't make it.

John T. Ryan ANTHOLOGIES as series in Television have always been a common component of the seasonal line-ups of every Network ever since the beginnings of TV broadcasting. This was a category of programming that they came about very honestly; as the Old Time Radio shows had many an ever popular anthology in its very makeup. They came as Drama (First Nighter, Playhouse 90), Western (Death Valley Days, Wagon Train*) and Historical (You Are There, Victory At Sea).SELDOM did we see an Anthology Series strictly limited to making us laugh, to Comedy. One exception we can think of (and about the only one that comes to mind off hand is our honorary series of the day, LOVE, American STYLE (Parker-Margolin Productions/Paramount Television/ABC TV Network, 1969-74).THE length of the shows varied between 30 and 60 minutes, as the earlier episodes started out at the hour mark, only to cut to a half hour, and still later back up to the hour mark. Each installment would consist of between 2 and 4 vignettes; featuring completely different casts, totally different stories and absolutely different settings; all bound together within the notion of each being, some how, "Love Related" INASMUCH as the episode weren't really related to "Love", but rather to what would be phonetically spelled something like "Ess-Ee-Ecks", the humor is typically of the American tradition of titillation, double meaning and 'naughty' suggestiveness. Hence, we were able to receive all of 'them dirty', little jokes and stuff; while not offending either the ABC Censor or Newton Minnow.BECAUSE each story was short of duration and featured non-continuing characters and story-lines, there was very little wasted time and no padding, whatsoever. It was the mission of the writers to get it all out in front; relating any and all about each character post haste, because basically, they are living out their entire fictional lives in a quarter hour.WE have heard that we've heard is that those in Hollywood loved series like LOVE, American STYLE (and any other anthology) called for the use of m any different Actors and Actresses, Comedians and Comediennes to populate the length and breadth of the various and numerous mini-episodes.ONE unusual episode appeared in the series. It featured a story about a family in the 1950's getting their first Television Set. Ron Howard was the Teen-Ager with Harold Gould as his father. It was set in Milwaukee and dang, if it didn't bear a strong resemblance to the later HAPPY DAYS series! We found out later that it was a failed HAPPY DAYS pilot. Well, they get our Frugal Utilitarian Award for creative use of what would probably be discarded.WHEN we look back on this collection of funny business, it reminds us most of the old one and two reeler comedies that were produced by guys with names like Chaplin, Keaton, Lloyd, Sennett, Roach and Christie. Silent or sound, these short subjects featured comic players with whom their audiences were familiar. Although there was very little continuity of particular roles & names of characters, we instantly knew them and we reacted accordingly.IN short, we believe the series is a sort throwback to those great "Old Time Movies" that we all seem to love so much. This is both a flattering comparison for the series; as well as a further proof that there is truly nothing new under the Sun.NOTE: * Okay, Schultz, you're right. WAGON TRAIN does have recurring characters. But how else could we go West each week without the likes of Major Adams,Flint McCullough, Duke Shannon and Charlie Wooster? Each week's story was different and told new and varied stories along the Trail. Ergo, we feel that the classification as a Western Anthology Series is totally justified! Got it? POODLE SCHNITZ!!

Brian Washington This show is definitely a show that worked for the era it was produced in, the late 60's/early 70's. This show came out at the height of the sexual revolution and could have easily been called "Lust, American Style". Each episode pretty much was about the same thing, men and women in constant pursuit of each other. Also, the most memorable trademark was the ever present brass bed. However, despite the emphasis on sex there were a few more touching episodes in this series. One that comes to mind is an episode in which an old man creates a sculpture of his deceased wife on the anniversary of her death and the angel of death (played hilariously by Soupy Sales) comes down to inform him that he is about to die. At the end of the episode, there is a shot of the old man, who has become a statue himself, holding his wife's hand. This was perhaps the most moving episode from one of the wildest show's of the early 70's.

ernest c. barnes during the early to mid seventies, i looked forward to Friday nights on ABC to tuning in on the first and only comedic anthology series featuring a slew of well known actors, writers and directors. it's sad that the attempted updated version recently shown wasn't as successful as the version from the seventies. what the world needs now are series such as these in a world full of violence. Although the premise of the show was silly, it did have it's romantic overtones in a funny type manner which most of all the vignettes were family oriented, which i think was one of the keys toward its popularity. i personally enjoyed viewing performers Charles Nelson Reilly and Louisa Moritz to Flip Wilson and Gail Fisher. it would be nice to have it return more often in reruns or on video tape.