Konterr Brilliant and touching

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

jc-osms The most realistic and gritty of all the 1960's ITC thriller series and one of the best. If The Saint did it with suavity, The Champions with super-powers, Jason King and his Department S colleagues with camp panache and Randall and Hopkirk with supernatural powers, McGill, a CIA outcast trying to make a living as a private eye in mid-60's England, just did it. With no fuss or flashiness, Richard Bradford's anti-hero and his "have gun will travel" policy took him into adventures more believable and down to earth than those of his stable-mates.In this pilot episode for example, McGill gets waylaid by a deposed white African leader who wants him to reveal how back in his CIA days he assisted with that country's revolution with the ultimate aim of deposing the present government and re-establishing white government over the locals. Given that the British government of the time was having well-publicised disputes with former colonies in the African continent, there's a strong whiff of topicality about the narrative, only bolstered further by the use of forced interrogation techniques redolent of "The Manchurian Candidate" and "The Ipcress Files" to name but two. It's pretty obvious to say also that both these themes are still very much in the news today.The silver-haired Bradford is excellent as the laconic, friendless, endlessly cynical McGill. This episode was crisply directed by celebrated Ealing director Charles Crichton (later to direct "A Fish Called Wanda"). Yes, you will see various guest stars from the supporting cast of most of the afore-mentioned shows not to mention sets, cars and now and again variations on the same story too. Indeed McGill's anti-Establishment stance is not too far away from the daddy of all 60's TV rebels, Patrick McGoohan's "The Prisoner"."Man In A Suitcase" (which incidentally boasts another great Ron Grainer theme) may not have aimed quite as high as McGoohan's tormented odyssey but this was solid entertainment and very good quality stuff of its kind, one of the best adventure series of the 60's I'd say.

screenman I have to agree with the other punters here. Richard Bradford had the part of McGill to perfection. Sallow, understated, and with a cynical edge; he was a man made weary by human fallibility and weakness, yet doomed to make a living from it nonetheless. His hair seemed prematurely grey for his age, and its curiously coiffured mop looked suspiciously like a toupee. Though I'm sure it was genuine.Often he mediated between victims and victimisers, using his cunning and thinly-veiled contempt to get the best deal he could, when as often as not he got a beating instead - and a very realistic one at that.He lived in a suitcase, was available for hire anywhere anytime. He charged a standard rate no matter what; I believe it was $200 dollars a day plus expenses, which many baulked at but they could take it or leave it. Inevitably he made girlfriends and abandoned them just as readily. Each episode was gritty, terse, and usually had an unexpected turn. And as they were mostly set in London, rather at variance to his nationality, they were an excellent window on swinging '60's style and attitude.Streets ahead in credibility than any equivalent like 'The Saint', I'm absolutely amazed that Bradford didn't command a greater screen presence. Rather like Ed Bishop; he had all the right ingredients of good looks, acting skill, and charisma in spades, yet we hardly ever saw him. The new James Bond seems to have just caught up.There was a very catchy jazz theme music as well, like that of The Avengers' or 'The Prisoner'. I hope the DVD's are as good as I remember the programmes to be. Highly recommended if so.

highrickman It never ceases to amaze me how a quality series like this has been neglected in favour of lesser and more dated ITC shows of that genre. Getting Texan Richard Bradford in the title role was a master stroke! His interpretation of the hero of the piece was spot on, making McGill 'human'. He wasn't ruthless, but he was tough, he had integrity and was loyal to past associates - even if they didn't always mirror the same courtesy to him. When he occasionally let down his guard and gave us an insight into why he was the way he was, the characterisation became even more intriguing, and to use Richard Bradford's terminology, 'made him real'. I love this series and I'm forever grateful to Mr Bradford for making such an effort to get his performance just right. I think its a fine tribute to his dedication for his craft that the work he did on this production continues to excite people all these years later - can't think of a greater legacy for any actor!

McGill fan I love this series because in my opinion, it is one of the best action/adventure series to come out of the ITC stable in the 1960s. Vastly under-rated, the series was in some ways groundbreaking in that the 'hero' of the show did not always come out on top, making it all the more realistic.