Not Going Out

2006

Seasons & Episodes

  • 13
  • 12
  • 11
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0

7.6| 0h30m| TV-14| en
Synopsis

Lee is a childish northerner who lives in a fancy penthouse apartment in London who goes through a variety of jobs such as a janitor and ice cream man, as well as attempting relationships with female flatmates. His best mate, Daily Mail reading, middle-class citizen Tim is always there to stop Lee from getting in trouble, or not? Mayhem is never far away with cleaner Barbara who has never done an honest day's work in her life.

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Reviews

FrogGlace In other words,this film is a surreal ride.
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Jay Meredith Not Going Out started promisingly. It was clearly a vehicle for Lee Mack and Tim Vine's one-liner stand-up comedy, but it still managed to be passable.Unfortunately, they squeezed the life out of this particular lemon, and there's really nothing left. Every episode is so formulaic, even the jokes collapse under the strain of the clichés. It's down there with Miranda, and maybe even Mrs Brown's Boys.Essentially, every episode involves Lee trying to impress a girl with some scheme or pretence, and inevitably failing. He's a mostly unemployed Northerner who inexplicably manages to live in a large flat in London (I mean, a flat that would be out of the price-range of anyone earning below £30,000 a year). It's been 8 years of this crap, how long is Lee's life going to revolve around pathetically throwing himself at the only eligible female he knows in utter desperation and failing repeatedly?Basically there is NO imagination in the writing, NO attempt to do anything different. Just cliché-ridden drivel. The best thing about this show is the theme tune. This program has outstayed its welcome and needs to go.
Gong5 I m so glad this series continues on the bbc! It's so often that you discover a series and then you find out it's been canceled. TV is a strange medium that not always rewards the better efforts. This series is great, it's such a refreshing mix of absurdist, anarchic, warm hearted and fun comedy. Nowadays script writers who lack in talent aim in mean-ness or crass humour, and this is amply evident. Not here!Also the writing keeps getting more refined and the actors work very well against each other as the show progresses. There's tons of talent in the writers and actors of course. Great work everyone. Not to be missed this show.
Gary Talbot Not Going out is hilarious, the only sit-com that makes me laugh out loud every time I see it. Lee Mack and Time Vine should have been put together years ago.The best scenes are when Lee Mack and Tim Vine are in the pub. They are given a chance to be at their comedy best.I also like Miranda Hart and Sally Bretton, they sometimes have better lines than Lee and Tim.I was in the studio audience for a show in series 3 (yet to be screened at the time of writing.) It's great seeing all the bits that never make it to the screen. You can only see that if you go to a recording. Everybody should go to see a TV show recorded, the tickets are free and it is just as entertaining as the theatre or cinema.
tjleaton I have to agree profusely with some comments that have been made on this title. Watching the two series I have been compelled by the nature of the comedy-which I have accertained as a compromise between stand-up comedy and a sitcom. Rather than to shroud the characters true feelings, as has been done before, all characters speak their mind. This brings the result of a comedic 'battle' between them in which their unresolved disputes and generic arguments are turned to light-hearted funny quirks in the viewers perspective, as the drama unfolds for all those involved-namely for the unfortunate Lee, who seems to be at the tail-end of most decisions and seems to have most bad-luck. Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.