Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

JerseyBookworm I missed this when it was on Masterpiece Theater originally, actually had never even heard of it. But the premise sounded interesting, I really like mysteries that involve events that happened long before, so I gave it a try. And I have to say I really enjoyed it.The performances were all good and earnest and as a result the movie was diverting even though the plot was preposterous. There are many twists and turns and much globe hopping involved. Helen Mirren, who I could watch read the phone book, carries off several different persona's for her character and they all appear effortless. But her character is one of those fantasies who, despite having a history of near-fatal substance abuse which also destroyed her career, is irresistible to all she meets, to the extent that an ex-boyfriend hands over a gun to her, no questions asked.Another plot issue involves the Franco Nero character. While it is intriguing to imagine a mysterious art connection going back to WWII, Franco Nero was only about five years old when the events involved took place, including a homosexual love affair. Yeah, that is a problem. But the implausible plot is made semi-believable by the fine acting by all involved. And the sets are great.So if you are willing to suspend your disbelief and you like convoluted mysteries with a historical twist, this is definitely an entertaining way to spend a few hours.

bybo64 The incomparable Helen Mirren is washed-up blues singer Maggie Sheridan, living on an estate in Ireland where she has been rescued from heroin addiction by faithful childhood friend Sebastian Stafford (a beautiful performance by Iain Glen).When we meet her Maggie has been vegetating in semi-retirement on the estate in a guest cottage for some ten years. We see her finishing recording a demo with a (much younger) local Irish musician, and they are about to take a dip in the bath together when gunshots are heard across the grounds. It seems there has been a theft of paintings owned by the Staffords, with tragic consequences. From there writer Cubitt has Maggie trekking across Ireland, England, and New York in search of paintings and criminals; and with the very reluctant help of her art dealer sister and brother-in-law, posing as an international art dealer.Maggie is 50 years old without family or husband, but at turns remarkably charming, debauched, and courageous - a fascinating character. And what Cubitt has given us (and Mirren) is an unforgettable portrait of a woman who risks her life for those she considers family, and what she considers home.

pswitzertatum Helen Mirren is always a joy to watch as she gets her chops around a part. I think she had fun here tramping skillfully through several cultures, costumes, and accents. It looks like she can sing, too. The Irish bit got lost along the way, however. The house and scenery are great wherever we are. And there are some pretty good supporting players on the trip. I think the writing on the initial screenplay sounds like it was good, from the featurette on the DVD, but somewhere along the road, either in the directing or the editing perhaps, something essential got lost. My willing suspension of disbelief went with it. Nice try, sort of fun to watch, except for Nero, who should burn with shame for his hamfisted acting. Why would Helen ever fall for him?!

i_eat_coathangers Maggie Sheridan, a semi-retired singer, is the first to find the body of Charles Stafford, a war veteran who is like a father to her.When it is apparent that Stafford was killed during a robbery, people stealing artworks from his home, Maggie goes to all lengths to find the killer of Charles, and to buy back the one painting that the robbers got away with. She travels to London to see her half-sister Suzie and brother-in-law Oliver, and eventually travels to New York under a fake name and passport, becoming an unscrupulous Polish art dealer named Megdalena Krasinska, and there, finds out more than she bargained for...The twists and turns in this film's plot, as well as the gritty portrayal of the illegal art world make this an excellent film in the thriller and drama genres. The plot is full of suspense and tension, yet full of lovely, friendly, fun, realistic characters at the same time.Helen Mirren in this film is at her best since Prime Suspect (or so the trailer says - but I don't know if I can rate all her perfect performances like that), and Franco Nero is hypnotically appealing as the Italian-but-living-in-New-York dealer, Roberto Tassi.And now, hoping that you will take my advice and go hire this if you can, I leave you with my favorite quote from the whole movie:[Oliver Peel returns home from work(?)to hear 'Wild Thing' playing incredibly loudly on his stereo. Unbeknown to him Maggie has been given keys to their home by her sister Suzie, his wife. He walks into another room and then reappears, weilding a cricket bat above his head...he pounds up the stairs, throws open the bathroom door and... ...there is Maggie, lying in the bath, hair all wrapped up in a towel, completely naked, smoking a ciggarette...]Maggie: Good match?Oliver (lowing the bat): Rain stopped play.10 out of 10!!!!!!!!!!