StunnaKrypto Self-important, over-dramatic, uninspired.

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Dana An old-fashioned movie made with new-fashioned finesse.

bettsfamily1 As an exemplar of ensemble sitcom Please,Sir! would be very hard to beat. The first two series certainly contained both scripts and performances that would put much else to shame.Anyone who has been through the English state school system in the last 50 years would recognise most of the character types and this realism certainly added to the charm. John Alderton was well cast as the young idealist but arguably overshadowed by the simply peerless Joan Sanderson as frosty deputy head Miss Ewell and the great Derek Guyler as the war obsessed caretaker,and every school that I ever attended had a miserable physics teacher , pens in breast pocket, who openly hated teaching as presented here by Richard Price. The pupils were an almost equally solid troupe- although quite visibly 10 years too old for the roles - and over all it just worked superbly well. Sadly , like most sitcoms, it outstayed it's welcome and by the final series was almost unrecognisable with a changed cast and weaker, sometimes repeating, scripts but for the first two series this was as good as it got and even stands up well to nostalgic viewing nearly fifty years later. Great stuff

crossbow0106 For the first three seasons, this show was very good. It is the story of an idealistic teacher played by John Alderton who becomes the teacher for the unruly students of class 5C. The students (some of whom looked older than their school ages) aren't bad kids, but they are from a working class background, kind of a rough upbringing. They are naturally not trusting of authority, and Alderton does a good job as the teacher that they actually, if not love, at least respect. There are other characters, like Norman (Deryck Guyler), who is the comic foil most often, the somewhat doddering Headmaster (Mr. Howlett) and the tough as nails Doris (Joan Sanderson), but the show is best when it revolves around 5C. After three seasons the kids of 5C were no longer in the series, neither was Alderton. The show went on for another season, but the momentum was lost. Not a laugh riot, it is better than most school comedies. Its more realistic than Welcome Back Kotter, which I like mostly for nostalgic reasons. I recommend this, you don't have to be British to like it. The movie of "Please Sir" is also recommended, it is fun.

screenman How today's teachers must look back at programmes like this and lament the passing of innocence and discipline.This series introduced a young John Alderton as Fresh-faced Mr Hedges taking on the tyrants of class 5C. A motley working-class crew of young and not-so-young actors and actresses replicated an adolescent version of the 'Bash Street Kids' at some deprived inner-city school. It was a sitcom version of 'To Sir, With Love'.Extremely popular in its time. There were great performances from a number of TV familiars, not least of which was old stalwart Derek Guyler, as the cantankerous janitor.Later series declined as a consequence of actor changes. The format had probably run its course anyway.The early series are the best, and still worth a watch for the sake of nostalgia. You couldn't make a sitcom out of inner-city school-life today. Its routine of violence, foul-language, and feral indiscipline is now just a terrifying tragedy.

all-briscoe My positive comments above only refer to the first two series. Having now seen episodes from the final two series, I'm afraid to say that they are hugely disappointing. This is largely down to cast- changes, particularly among the pupils but also the teachers. The new characters are unimpressive, with the exception of the aggressive PE teacher Mr. Dix, played by Glynn Edwards, who shows some style.Maybe the writers were also running short of ideas by this stage, with many of the stories and scenarios becoming stale and silly. There are still occasional flashes of form, but the impression has to be that the show should have quit with its stock high after the first two fine series. These are still worth checking-out.