Tockinit not horrible nor great

SnoReptilePlenty Memorable, crazy movie

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

tigerbitsy I mean, what could be better? 8+ hours of Robson Green AND Michael Kitchen? And it was voted one of Masterpiece Theater's 10 best? I was sorry that Reckless just didn't come together for me.As for the first two episodes, there were some fun sex scenes, and PLENTY of steamy Robson Green. But the third episode was late coming from Netflix, and by the time it got here I had almost lost all interest in finding out what happened to these characters. I did stick it out …but I just can't help feeling that Francesca Annis's character was too two dimensional…she just flitted from man to man without ever really defining herself. She was right to be angry that all the men in her life just went ahead with what THEY wanted. But I never found out what she wanted, either! And Owen Springer never really said WHY he loved her, or what he thought their life would be like together...I felt like I was watching what might have happened if Benjamin Braddock (The Graduate) had stayed with Mrs. Robinson, or if the boy from Summer of '42 stayed with the lady from the beach…. I'm not ageist or anything: there is a fourteen-year age difference between me and my spouse! But as much as I tried, this movie just didn't do it for me.The BEST part of Reckless was, as other reviewers have pointed out, David Bradley's performance as Robson Green's dad. His understated performance just wipes away anyone else on the screen with him. Brilliant, brilliant, brilliant.Now, unlike most reviewers, I rather enjoyed the sequel. Here at last was real villainy! Here was a galloping pace! Here was more David Bradley! I would recommend this title only to big Robson Green/Michael Kitchen/Masterpiece Theater fans.

med_extra Only a complete dolt would not recognize the charm, intensity, relevance and reality of this story. OK... it is not "I, Claudius", but it is a typical example of excellent UK production values, from script to casting. It is superb. Another reminder of just how ignorant and idiotic the vast majority of US programming is and what is possible. Francesa Annis and Robson Green are real, from start to finish. The story, while simple and used many times before, is just as vital today. This treatment is balanced, understated and in proportion. Michael Kitchen, as always, performs at the highest level, even though, as often, is in a secondary role.

Steampunker I saw only the first part of this series when it debuted back in the late 90's and only recently got a chance to watch all three parts via Netflix (convenient service by the way). All in all, I liked this lighthearted, sometimes genre challenged, mini series. The story of a younger man falling for an older woman seems to work and the actors are all fine. Yes, it does have some romance clichés of running in the rain or a train station goodbye, but the characters have a chance to be explored so it doesn't seem cheesy, like it would be if this were some Tom Hanks vehicle or similar. Robson Greene, who at times reminds me of a separated-at-birth Scott Bakula does a fine job of someone who is head over heels in love and the ebb and tide of desire and rejection throws the series into watchable fare. Personally, I think the series could have been done with two episodes, but that's up for debate I suppose. Apparently, there's a sequel, and that should be arriving tomorrow via Netflix.

stuhh2001 This group of English pros are a pleasure to watch. The supporting cast could form a series of their own. It's a seen before love tiangle between the head of surgery, his wife, and a new pretty boy surgery resident. Only the superior acting skills of Francesca Annis, Michael Kitchen, and the sexy Robson Greene lift this from the trash category to a very enjoyable "romp". The only quibble is that it's hard to accept that the smoldering Francesca Annis would fall in love and actually marry Michael Kitchen, who like me, is hardly an international, or even a British sex symbol. You can readily understand why Robson Green would light her fire, with apologies to the "Doors". The guy who almost steals the show with a great "laid back" performance is Owen's father David Bradley. Watch him in "The Way We Live Now", in a completely different performance, to get an idea of his range. Daniela Nardini as Kitchen's secretary, sometime sex toy, is hard to forget as the spurned mistress who makes Kitchen sorry he ever looked at her great body. Conor Mullen, and Julian Rhind-Tutt, as Green's sidekick surgery buddies as I've said could have their own series. They are that good. The whole thing is a great deal of fun, and I heartily recommend it, and thank you imdbman for letting the paying customers have their say in this fascinating venue.