Streets of Laredo

1995
7.2| 0h30m| TV-14| en
Synopsis

Captain Woodrow Call, now retired from the Rangers, is a bounty hunter. He is hired by an eastern rail baron to track down Joey Garza, a new kind of killer, only a boy, who kills from a distance with a rifle.

Director

Producted By

Larry Levinson Productions

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Reviews

Perry Kate Very very predictable, including the post credit scene !!!
Actuakers One of my all time favorites.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Skyler Great movie. Not sure what people expected but I found it highly entertaining.
Gunn One of the first things I do after watching a movie I really like, is checking reviews of others...professionals and amateurs, as listed here. It's very frustrating reading some of them. Why do people compare them? Why do they look for faults? Why do they not see and praise the positive aspects and ease up on critical commentary? It's like comparing apples & oranges & bananas & strawberries, etc. Comparing a film to the book or a previous film seems overly critical to me. It always bothered me when Siskel & Ebert & Roeper, et al. rated films as bad or good...thumbs up or down...see it or don't see it. Streets of Laredo is a perfect example. A lot of superb work was put into this fascinating sequel by the director, the cinematographer, the actors, the music composer, the art directors and more. It deserves more than comparisons with the equally superb mini-series Lonesome Dove and its fabulous other sequels. James Garner's Woodrow Call was terrific, so was Tommy Lee Jones' but is it fair to compare them? Cissy Spacek's Lorena was just as good as Diane Lane's as were Sam Shephard's and Tim Scott's Pea Eye interpretations. How do you rate cake and pie? Is one better than the other? Should you condemn it to thumbs down or tell others to avoid it? Maybe to some people this is the way. One constant in all the LD sequels is Larry McMurtry's brilliant characterizations. And don't complain about character development. It takes time to develop a character's nuances and profile. E.G Archie Bunker, Mary Richards, Barney Miller and friends. How long a movie do you want to watch? To wrap it up, Streets of Laredo is a superb film with great acting, directing, cinematography, and a stirring musical score and more. So was Lonesome Dove, Return to Lonesome Dove, Dead Man's Walk, Comanche Moon and the TV series. They're all different but great!
jeanie-newlife Sorry, this movie abandoned the viewers. Loose ends? How many were there? Too many to count. I watched Lonesome Dove, too, and didn't really have any expectations for this movie, but I'd have to say it wasn't about the thread between movies or characters; how much Garner was like Jones, etc. It was, for me, about the lack of point of view. There are so many threads that do not get drawn together in a good way. Who really is the narrator? Why was Hardin's character in the movie? Why don't we see or learn more about Pea Eye whose close relationship with Call is given to us at the beginning? Why the guy who burns people down? So much time was spent on extraneous characters who perhaps in the book are interesting to the story but in a screen play become burdensome to the main story. I wished for more clarity, more development of the main characters. And, the movie did not really take place on The Street of Laredo.
ccthemovieman-1 I found this to be a decent follow-up to the excellent Lonesome Dove TV miniseries. Although a different cast and a different story, it does the original story justice and follows that if you liked Lonesome Dove, then you'll like this, too. However, in my opinion, Lonesome Dove was decidedly superior and holds up better in multiple viewings. I liked this a lot the first time I saw it; not so much the second time.There is just one constant in the two stories: the character of Capt. Woodrow Call, played by Tommy Lee Jones in the first series and by James Garner in this sequel. You can't go wrong with either actor.On my second look at this long story (227 minutes), I didn't enjoy it as much the first time because I found the last hour just too bleak and depressing. Watching character after character getting killed and listening to Sissy Spacey's constant complaining wore me down. I liked the unique finish: an uplifting, sentimental postscript in which Garner shows a human side to him that hadn't been shown the first three hours. That was a nice touch, but was "too little, too late."In summary, mixed reviews: this is definitely worth a look, especially for Garner who is fascinating. I gave it nine stars after that initial viewing. But, trust me, unless you enjoy being depressed, one trip down the Streets Of Loredo might be all you will want. But do see it, especially if you like "realistic" hard-bitten westerns.
austinpeale Streets of Laredo - The sequel to Lonesome DoveStreets of Laredo has much to offer - a long tale of famous Texas legends - some fictional, like Captain Woodrow F. Call, others real - John Wesley Hardin (played by Randy Quaid) and Judge Roy Bean (played by Ned Beatty). If you're looking for a film to take you back to the wild, wild West, this one will do. It's a quiet story though, not full of action, as some shoot-em-ups are. Like Lonesome Dove it has heartbreak and pain, and some very quiet humor. Roy Bean and Call have a particularly great scene together, as do the young killer Call is after and John Wesley Hardin.The story is also full of great ideas, something sorely lacking in most films. Family. Loyalty. Old Age. Change. Eastern values. Western traditions. And while Sam Shephard has always been a respected actor, he MAKES this movie as he is at the center of one of the oldest conflicts on Earth - what makes a man a man, family or duty. He is so quiet! And so powerful when he does speak. His wife Lorena, played by Sissy Spacek, speaks for him most eloquently. Is she, or is she not THE greatest actor Texas ever produced? Who knew George Carlin could act?James Garner is genuine, and authentic, as he always is.The story is full of great characters - who fall away until the principles are left to resolve, or not resolve their conflicts.The score is haunting, the cinematography is especially beautiful, the story is timeless, which is what one expects from Larry McMurtry.Enjoy!