Sword of Honour

2001
6.3| 0h30m| en
Synopsis

Sword of Honour is a two-part adaptation of Evelyn Waugh’s semi-autobiographical World War II trilogy that aired Channel 4 in 2001. It centers on Guy Crouchback's, played by Daniel Craig, heroic quest to fight for a deep moral cause and to reclaim his manhood after a shattering divorce from the society beauty Virginia Troy.

Director

Producted By

Talkback

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Sexyloutak Absolutely the worst movie.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
ianlouisiana Desperate to find some cause to hitch his waggon to,Guy Crouchback, introverted,middle - class,Catholic,is a man determined to find honour and redemption in war.To assist him in this effort he commits himself whole - heartedly to the Halberdiers,an obscure but "superior" British regiment which after years of idleness suddenly finds itself confronted with the realities of modern warfare. Actually proving a rather good and popular officer,he fights a losing battle against the tide of cynicism,opportunism and political in - fighting,corruption,self - aggrandisement and general rottenness from his contemporaries,a victim of their jibes,their genial or sometimes not so genial contempt and condescension. Bloodied,appalled and bruised by what one of his colleagues calls "the whirligig of war",he gets the chance to "do the decent thing" by marrying his ex - wife,Virginia, who is pregnant by an odious fellow - officer,thus,by proxy,continuing the Crouchback line which dates back to mediaeval times. When Virginia Crouchback is killed in an air raid,Guy comes home and sees "his" son for the first time. Awkwardly,clumsily,he says to the boy,"I'm your father" as the camera cranes up and we leave the two of them to a hopefully happier future. Adapting Waugh's marvellous trilogy of war novels for television was no mean task,and leaving aside any petty intellectual snobbery from old school Waugh admirers who might baulk at his masterpiece being sliced up and presented as popular entertainment no matter how well done,it must be said "Sword of Honour" is something of a triumph. Mr D.Craig is quite excellent as Guy and conveys well the gradual change in his character as his wartime experiences have an increasing effect on him. Mr L.Phillips - a man whom I would normally walk a mile to avoid on the screen - is sensitive and moving as his elderly father,a man unshakable in his beliefs and quietly indomitable in his courage.Miss M.Dodds as the flighty Virginia gives the best performance,displaying the easy charm existing in a total moral vacuum but somehow fatally attractive. The production values are high,the battle scenes well above par for a TV production and,in line with the original,the TV adaptation takes on a very bleak aspect towards the end. By giving legitimacy to Virginia's son,Guy redeems himself in a way that he signally failed to do in combat. Channel 4 is to be congratulated.
z28rikard I might sound blunt here but this is a movie recommended to watch only if intoxicated with illegal substances. Otherwise you will either fall asleep or look for a victim to get rid of your frustration. A typical "a'la Stephen King" failure trying to make a movie out of a book. it's like when you listen to a CD book and the narrator is trying very hard to get the listeners attention with a poor try in narrating acting. What did the actors think when they read the script or did they just read the book and trust that the director could get this on the screen by magic.Don't waste your time on this one.
grhmb This is a splendid effort by all concerned, especially given the time constraint of about 200 minutes. As well as men and women are still marching off to war to save Western civilization, the movie has a contemporary message. The brevity of the movie, given that it tells a story, originally told in three novels goes against it. So much plot and many characters have been left out seriously compromising Waugh's comic vision. Waugh's original novels contain very amusing dialogue and much of the novels are just dialogue, the writer creating character out of what people say. Although the script used snippets of Waugh's dialogue,there is lots and lots unused. However, the script writers and all the people involved in the production did a masterful job of salvaging something of Waugh's original story. The other major flaw is in the casting of Daniel Craig as Guy Crouchback. Craig does not have the aristocratic presence to play Guy. His features, stature,and movement suggest a working class hero; he is great for contemporary characters where class is not an issue. But Waugh's works are all about class and Daniel Craigdoes not look the part of an aristocrat. He would be fine as a Lawrencian hero, Birket in Women in Love, for example. The rest of the casting is more or less spot on with some splendid choices of actors for Guy's father, Virginia, Ivor Claire, Ritchie-Hook,and Trimmer and everybody else. The book is both so much more outrageously funny and profound about life than the movie. Read the book but enjoy the movie,too; the chaps who made the film have obviously put on a good show in difficult circumstances. I am now going to reread the book for the umpteenth time. The movie inspires that.
Philby-3 Once again a substantial literary work (3 novels) has been shoehorned into 200 minutes or so of television but this time without the gross omissions that usually occur in exercises of this kind. Partly this is because of the fair amount of action which takes up a lot of literary space but which can be economically depicted on the screen.Evelyn Waugh had a pretty scrappy Second World War, but he used his illegally kept diary to good effect. His semi-autobiographical hero, Guy Crouchback goes into what he thinks is a God - ordained crusade against evil, only to discover that the war is the ideal environment for liars, cheats, cowards and phonies of all varieties. His egregious acquaintance Trimmer becomes a war hero by accident and is promoted to Colonel. The evil Corporal Ludovic who murders his C O gets commissioned while good men die everywhere. Every attempted noble act by Guy misfires, and only at the end does he finally achieve some nobility as the putative father of Trimmer's child.Guy's position is not helped by the fact that his once and later wife Virginia (Megan Dodds) is a vain little tramp who uses men so obviously it's a wonder they are taken in. Guy's emotional IQ is so low he manages to fall for her twice. Well, perhaps the second time around he was after some nice redeeming suffering - he did have some insight - but in retrospect Virginia's demise seems a blessed relief.Generally though, this was a decent effort. Highlights included the Crete and Croatian sequences and the great portrayals of Ludovic, Major Hound and Brigadier Ritchie-Hook the truly crazy brave military idiot, who was at least able to admit that he enjoyed all that killing'n stuff. Daniel Craig's Guy is also a very measured performance. He has a face on which one can read inner suffering like one reads a weather dial. It was also nice to see that perennial lightweight Leslie Phillips (of 'Carry On' fame) bringing some gravitas to the role of Guy's aristocratic father.I haven't read the books in this case, but if the portrayal of Mrs Stitch, the society grand dame in the production is anything like that in the trilogy it's a wonder Lady Diana Cooper, who was still alive when they were published, didn't sue. Lady Diana is thought to be the real-life model for the character, who cheats on her absent husband with a young war hero, destroys Guy's mail and pulls strings to get him transferred back to England so he can't blow the gaff on what her 'hero' really did in Crete (desertion).Anyway, I am now inspired to read the books, which on previous experience should be no hardship. Evelyn Waugh was an intriguing character who started out as an angry young literary man in the 1920s and finished up a reactionary old fart in the 1960s, his time long gone. Yet he was one of the greatest English literary stylists of the 20th century, equally adept at satire ('Decline and Fall', 'Scoop') and serious work ('Brideshead Revisited', Sword of Honour'). This production suitably honours his memory and isn't a bad bit of television in its own right.