Hellen I like the storyline of this show,it attract me so much

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

jc-osms I know that my mark is nostalgia-influenced, but I really can't mark down any of the 60's ITC escapist adventure series as they were such a fun part of my childhood, watching classic shows like The Avengers, The Saint, Randall & Hopkirk Deceased, The Champions, Man In A Suitcase, Department S, The Persuaders and this.Yes, The Baron is a minor-league Simon Templar, a globe-trotting adventurer with an unlikely cover as an antiques dealer who invariably ends up in some foreign intrigue, yes, the production values are fairly low, with studio-bound sets and stock footage of international airports dropped in to futilely attempt to convince the audience the locations are authentic but it's all shot briskly and efficiently, routinely delivering 50 minutes of easily digestible thrills and spills before the stirring theme music comes around again to signal the end (almost every ITC show and certainly the ones I mentioned above all had memorable theme tunes).Steve Forrest, brother of Dana Andrews, lacks his sibling's personality and charisma but otherwise makes for an acceptable, well-dressed, chisel-jawed leading man while Sue Lloyd provided the glamour, parading the fashions of the day with no little humour, although she invariably is reduced to playing the damsel in distress, no Emma Peel her.The Baron is a somewhat derivative and fairly light entertainment and probably wouldn't appeal much to anyone who doesn't, like me, remember first watching it on a black and white TV as a child in the mid-60's. But that child was me and decades later, I still can't bring myself to criticise it too much for all its derivation and lack of originality.

Montydog I also remember this from the 70s - well at least I vaguely remembered his rather nice assistant, David Marlowe, being kidnapped and then stabbed by a particularly svelte and nasty villain: I even went to library to get out a few of the books because that episode made such an impression on me. On re-watching I have to say I felt much as a previous reviewer - shame the US forced out the David character and brought in Cordelia (Sue Lloyd may be eye candy for the boys, but Paul Ferris was definitely eye candy for the girls and his character could at least stand up for himself, while his relationship with the Baron is rather that of a father-son type, and could have been developed further) Am now giving the DVDs to my 13 year old as I have to say I prefer this type of show for someone of his age, than more modern, graphically violent ones. It's a bit of fun, the men look great (and they dressed squarely enough not to look outdated today); the car is wonderful and I can indulge for the 8 episodes Paul Ferris does appear in

perwilvil Boy is this show appalling, and this is unusual for ITC classics. Take a minor league American star like Steve Forrest to appeal to American audiences (supposedly), and set him up as a wealthy adventurer a la Simon Templar. It might have worked if the stories were any good, but they really weren't, and the production values were extremely cheap. The Saint had cheap production values, but this could easily be overlooked with Roger Moore's charisma and interesting stories. Danger Man/Secret Agent had comparatively high production values with some nice location/second unit work, and was probably done for similar money. If you're going to watch an ITC show, try The Saint, Secret Agent, or The Protectors.But see for yourself. Anyone want to buy a half used DVD set of The Baron?

jazinegrrrl This show was made several years before my time, but I enjoy it immensely. I have always been a Steve Forrest fan. He was a such a hunky dreamboat, with tall, rugged handsome looks. I thought he suited the role of the charismatic playboy John Mannering to a tee. I like Sue Lloyd as an actress, but I have to say her talents were wasted as Cordelia. Her character was totally incompetent, and after a while it became tiresome to know Mannering would have to rescue her in just about every episode. I preferred his other assistant, David, who had at times also needed rescuing, but had the ability to problem solve and help Mannering out. I understand the audience wanted to see eye candy, therefore making the David character expendable and elevating Cordelia to be featured in the bulk of the 29 episodes. I wish we could have seen more of Templeton Green, I liked the uneasy relationship he and Mannering had. Mannering would always show a reluctance in taking on Templeton's assignments. You also get to see some top notch actors guest starring in the series, such as the wonderful Peter Wyngarde, who does an excellent job playing dual roles in the episode The Legions of Ammack. I was also pleasantly surprised to see Edward Woodward guest star as a villain in Countdown. Most people remember Woodward as the vigilante in The Equalizer; a popular American series in the 1980s that took place in New York City. I am sad The Baron had such a short expiration date, this wonderful series ended before its time.