Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

tlloydesq Nothing is ever perfect, but in the world of TV drama – Alan Plater's "The Beiderbecke Connection" gets about as close as you can. The show centres on two secondary school teachers – jazz fanatic Trevor Chaplin (James Bolam) & environmental activist Jill Swinburne (Barbara Flynn). The couple stumble on corruption in high places and reluctantly become involved.The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.In keeping with the title there is also a jazz soundtrack which accompanies the show well.

timsmith37 This was not the first outing for Alan Plater's schoolteacher detectives, who in 1981's Get Lost had been played admirably by Alun Armstrong and Frances Tomelty. However no-one could quibble with the re-casting. James Bolam effortlessly nails each line of the arch dialogue, while the talented Barbara Flynn has that rare quality of looking both believably ordinary and incredibly fanciable. Some wonderful British character actors also get plenty of screen time in what is effectively an ensemble piece. Colin Blakely, Keith Marsh, Danny Schiller, Robert Longden and Keith Clarke all do sterling work, but special mention must be made of Dudley Sutton's tweedy schoolmaster and Terence Rigby's saturnine Big Al, while Dominic Jephcott was a real find as the callow university educated detective. A beautifully constructed series, that remains as pertinent as ever in a society increasingly disrespectful of privacy and intolerant of eccentricity.

Guy Chapman If you think "CAddyshack" or "Bill and Ted's Excellent Adventure" are the funniest thing on earth, this is not for you. If you love cool jazz and warm humour prepare for a treat.It's not just the script, although Alan Plater is undoubtedly a genius.It's not just the acting, although not a gesture is out of place, every nuance in its place.It's not just the soundtrack, although the Beiderbecke-inspired jazz soundtrack is superb in every respect.It's the whole being greater than the sum of the parts. Pace? Who needs it. This is a series which proves beyond doubt that frenetic, fast-paced comedy is *not* the be-all and end-all. This is comedy to be enjoyed with a glass of wine and the life partner of your choice; it is as British as chips and brown ale, it is timeless. Watching it again twenty years on it is as perfect as it was on first viewing.

Andy Bolstridge As some reviews have said "A jazz soundtrack paces this British series, adding more mystery to the lovers' quest for the truth" and "This outlandishly funny series weaves quirky characters, witty dialogue and a wonderfully smooth, jazz soundtrack into a uniquely satisfying, entertainment experience." Well, that's not how I'd describe it.. The jazz soundtrack is fabulous, Bix Beiderbecke tracks blast through the slow bits in between the meat of the show, making this a truly immersive, grab-you-by-the-ears and drag-you-along series. Oh yeah, the dialog, plot, setting are all excellent too - if you haven't seen it, it's worth the 9.3 rating at time of writing this!