ada the leading man is my tpye

Lovesusti The Worst Film Ever

pointyfilippa The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

Portia Hilton Blistering performances.

John T. Ryan THE MANNER IN which comedian/writer Bill Dana rendered his character for presentation on stage, in stand-up and in the world of the sitcom was truly a most remarkable example of total immersion into the every aspect of the character. It was not just a case of mastering a dialect, for we've seen others in the field who did just that. But, as amused as we were by Guido Panzinni (Pat Harrington, Jr.), Father Guido Sarducci Dom Novello) or even Chico Marx (Leonard), none mastered it like Dana.WE RECALL HEARING Bill relate how he had encountered actual men of Latin American descent while in the U.S. Army. They provided him with an up close and one completely devoid of any fees, course in dialect. One case in particular (which was a post army encounter)involved a man who said he was the "Dutch" representative in a part of Latin America. After some time and further revealing conversation, it was ascertained that this guy was in the automotive business as the "Dodge" rep.AFTER HAVING DONE a character of an Hispanic elevator operator on THE DANNY THOMAS Show, a series was THE BILL DANA Show in which he portrayed Jose Jimenez, an elevator operator. Most of the humor revolved around his having trouble with the Queen's English and his character's outstanding innocence and undiluted honesty. His characterization put us in mind of Andy Griffith's rendering of Will Stockdale in NO TIME FOR SERGEANTS. Thus, the protagonist is a case of pure innocence incarnate, rather than being classified as just plain stupid! THE SERIES AS we recall it was always entertaining and did manage to generate both a respect and sympathy for the "little guy" who was caught in the middle. It would really Be great to see the series once again. But alas no; the dictates of the Political Correctness people would never let this see the light of day again! SO IT IS that Jose Jiminez, along with the likes of AMOS 'N' ANDY, DUFFY'S TAVERN, LIFE WITH LUIGI, THE GOLDBERGS (original with Gertrude Berg) and the animated SPEEDY GONZALEZ are all destined to languish in the Limbo of broadcasting history! AND THAT IS truly a shame, Schultz! For these were programs were innocent, well intentioned and had no malice toward anyone. Also they were genuinely F-U-N-N-Y!!)

rcj5365 Writer-comedian Bill Dana,whose character Jose Jimenez had a very successful career on records and in nightclubs following its creation on "The Steve Allen Show",during the 1950's and into the early 1960's. Bill Dana brought his character to life for this series which is a spin off of Danny Thomas' "Make Room For Daddy",in which Bill Dana was a frequent guest star. The short-lived series "The Bill Dana Show",was one of the Sheldon Leonard-Danny Thomas produced shows that lasted a season and a half on NBC-TV from September 22,1963 until January 17,1965. Only 23 episodes were made all in black and white. The same writers and producers who were behind "The Andy Griffith Show","The Dick Van Dyke Show","Make Room For Daddy",and "The Joey Bishop Show",were behind this series which was produced by Danny Thomas and Jack Elinson along with Sheldon Leonard,who served as executive producer along with Ronald Jacobs.Jose Jimenez(Bill Dana)was a Mexican immigrant who worked as a bellhop at the Park Central Hotel,a plush upscale hotel in New York City. Not only did he worked there,it was practically his entire world since he lived in special bachelor quarters provided for hotel employees,ate in the hotel kitchen and had social contact only with employees and guests of the hotel. In his goodhearted naivete he only saw the good in the people around him. Sometimes,he was known to be sort of a bumbling mishap when it came to taking care of situations that may occur within the hotel. Bill Dana's character of Jose Jimenez was the down south-of-the-border version of Gomer Pyle. His biggest concerns were the employees who worked around him,which was his fellow bellhop Eddie(Gary Crosby) who was trying constantly to get him to wise up:however his troubles usually ended up confronted with the less-than-understanding hotel manager,the strictly by the book and uppity forward Mr. Phillips(Jonathan Harris,in a prototype character he would take onward as the slimy,strictly by the book,and deliciously evil/cowardly Dr. Zachery Smith on Lost In Space);and the not-too-bright bumbling hotel detective Byron Glick(Don Adams,in a prototype character he would soon be playing on Get Smart). Walter Mitty-like dream sequences were occasionally used to extricate Jose from his hotel environment,which ended up with hilarious results. Also on-board this series was the show's secretary/receptionist/guest services host Susie(who was played by Maggie Peterson,who was also portrayed Charlene Darling in several episodes of "The Andy Griffith Show").Out of all the cast of characters,actor Gary Crosby lasted one season. The show hasn't been since it was cancelled in 1965. However,repeated episodes of this series ended up on CBN Cable Network(Christian Broadcasting Network)back in the mid-1980's when the network ran all 23 episodes. And it hasn't been seen since.

theowinthrop I was nine years old and a new comedy show was on the air. The show was named for it's star, but the fact was that the public knew the star from his "stage"/"television" persona - it really should have been called "The Jose Jimenez Show".Some stereotypes are not meant to be offensive, but eventually are considered that way. Bill Dana created a character named "Jose Jimenez" on the old Steve Allen TONIGHT show. The character was part of Steve Allen's regular troop of characters, frequently popping up in his "Man on the Street" interviews. There was the nervous Don Knotts, constantly shaking at the interviewer and his cameraman, and saying "Noop" instead of "Nope". There was Louis Nye as "Gordon Hathaway", the overly smooth hipster who always addresses his questionnaire as "Stevarino". Tom Poston was a slow witted type, constantly having problems with the questions. The long forgotten (unjustly I felt) Dayton Allen would begin his complicated answers with, "WHY NOT!!". And there was Dana, using a "Mexican" accent as "Jose Jimenez", who in a quiet and gentle manner would try to answer the question in his broken English, frequently making a ridiculous point that most of us never thought of.Dana's opening line "My nam' Jose Jimenehs...' became a minor catch phrase of the late 1950s and early 1960s. Unfortunately it would go the way of the "Frito Bandito" and other Latino stereotypes after about 1967 or so. As a partial backlash from the more vocal Latino community (being spurred on by the Civil Rights movement, as were feminists, gay rightists, and other minorities), these figures - even if meant as relatively harmless - were seen as bad as "Amos and Andy" were. So the characterization was doomed anyway. Therefore, in retrospect, Mr. Dana getting his own television show may be considered his high point.I have to agree it was not a well written show, and it really only gets a "6" from me because of the performances of it's three main leads: Dana, Gary Crosby, and Jonathan Harris. Occasionally Don Adams added his comic abilities, but he did not appear as frequently. Set in a hotel, Dana/"Jimenez" and Crosby were bellboys, and Harris the hotel manager. Although one of the other comments suggested Harris like "Jimenez", in truth he found "Jimenez" constantly getting into his hair due to his involvement with Crosby's wild schemes. Crosby would usually have a scheme that would get him a date or some money, and would ask "Jimenez" to assist him, and "Jose" would reluctantly be drawn into it, but would find his own ass in a sling as a result. But he would drive the pompous Harris (honing the domineering tones of Dr. Zachary Smith quite well) up the wall.In one episode that I can recall, Crosby's scheme deals with hiding a large animal (an elephant I believe) in the hotel without Harris finding out. He convinces "Jimenez" to help "gaslight" Harris, making him believe he is hallucinating or failing to see things (one of the funny bits in the episode is Harris repeatedly trying to act as though nothing is happening to him, but also holding onto walls and banisters to support himself in his illness!). The climax is that Dana and Crosby and the elephant are on the hotel's sun roof when Harris comes upon them. Harris is wondering what the elephant is doing on the roof when they convince there is no elephant, but the distant Empire State Building. Remembering previous hallucinations he has had, Harris is buying this, when some other people turn up on the roof, and ask him what the elephant is doing there. "Oh, that's not an elephant, but the Empire State Building!" he announces, before it dawns on him that they are seeing the same thing he just thought he saw.It was, as another account on the thread suggests, bad writing that hurt the show. It was not that the show could not rise, but it rose above due to the three or four leads. Dana is actually a good character actor (you may recall he had a running role on THE GOLDEN GIRLS as Estelle Getty's younger brother...and he was quite funny in the role). In one episode his so-called stereotype actually showed some gumption. An episode dealt with the problem that "Jose" and Gary Crosby have with a spoiled heiress at the hotel. Besides the normal demands she puts on their service, she's mean enough to play humiliating pranks on them for her and her friends entertainment. Finally, "Jose" actually (if in his gentle manner) tells her off to the extent of being a spoiled brat. In the episode Harris has tried to keep the staff in line about accepting this brat's behavior until she leaves, so when "Jose" tells her off he lectures "Jose" about not insulting the guests. As it turns out, the girl's father shows up and thanks "Jose" for not being like so many other employees: being too obsequious to his bratty daughter. Harris of course is amazed by this turn about.It was not a great series, but it certainly had a few good moments due to its leads. It also showed us (briefly) that Gary Crosby had some of his dad's acting talents (his manipulations of "Jose" remind me of Bing's manipulations of Bob Hope in the ROAD pictures). Unfortunately, unlike Harris, Adams, and Dana there was no real follow up for Gary, who made news before he died by trashing his old man in a memoir.

Randy H. Farb This show was well-acted and well-written. Jose is a well-meaning emigrant who due to mistaken identity ends up as a bell-hop at a posh hotel. His best friend, Eddie is well played by Gary Crosby in what may be his best performance. Don Adams is a pre-Maxwell Smart, even using trademark dialogue such as, "Would you believe...?" Jonathan Harris is extremely energetic in this show, and with a little imagination, you could almost see him yelling at the robot from "Lost In Space" with the same exasperation he yells at Jose. Interestingly enough, Bill Dana played Agent 13 in Don Adams' "The Nude Bomb."