Develiker terrible... so disappointed.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

terim-1 I really enjoyed this 8 part series, largely due to the lead character's convincing evolution from episode to episode. It is not light stuff, and the good cop bad cop plots tackle serious issues of law enforcement ethics and the slippery morality of undercover "internal affairs" cops. Though the lead good cop, played by Elaine Cassidy, succeeds in most of her missions, the result is rarely satisfying to the character or the audience, as tragically flawed cops get caught in traps and slippery career-minded superiors operate behind the scenes. Cassidy is quite good, creating a character who progresses from gung-ho righteousness to grim determination; she is both manipulated and manipulating.In some ways, the blurry morality and internal affairs theme reminds me of The Shield. For an American who doesn't watch a whole lot of British cop TV, it also provided an interesting insight into police work on that side of the pond. Unfortunately, the photography and editing can be distractingly bad, and yet the excellent acting and thought provoking perspective on police ethics more than make up for technical shortcomings. Kudos especially to Cassidy, who has proved herself an astonishingly versatile actress in recent years.

lisbeth22 I was a bit disappointed with this series (I haven't seen the last two episodes though). Most stories were simply too smug relying on the obvious dilemma the theme suggests... and the cinematic means as well as the narrative were always quite pretentious without being convincing, leaving loose ends all around. The distracting look of it, jump cuts and hand-held, "different" to a fault, could not hide the lack of quality in the storytelling. The acting was quite good though - and that made the episodes worthwhile, above all those less "spectacular" subject-wise -, Elaine Cassidy being a standout as usual. I think she is internationally one of the finest actresses around.

paul2001sw-1 'Between the Lines' was one of the outstanding British television drams of the 1990s, the story of a police investigations unit. 'The Cops' was another excellent series, with its gritty, cinema-verite portrait of life on the force. 'The Ghost Squad', Channel Four's new drama, is an heir to both those series, with a premise similar to the former's, but put together in the style of the latter. And some senses, this is more of a handicap than a blessing, as the police drama is such a staple of the schedules that it's very hard for a program to appear fresh. The hand held camera work, the quick inter-cutting of scenes, the stock characters (most notably, the bitch of a boss who may or may not be trustworthy): it's all been seen before. Additionally, 'The Ghost Squad', whose investigators work undercover, sometimes seems to strain credibility. The requirements placed upon its officers seem immense, and to generate the story lines, they always have to get more personally involved in a case than is altogether desirable (or, more to the point, likely).But 'The Ghost Squad' does also have some distinguishing characteristics of its own. By focusing on a single officer, it retains a claustrophobic feel throughout: in general, we know what she knows, nothing more. In the lead role, Elaine Cassidy is superb, and in general the acting is good, although both her boss and partner seem a little young for their roles (surely such sensitive missions would be handled by people a little more senior?). Even if at times, the world portrayed seems just that bit more intense than reality ever is, this is still top quality drama, intelligently structured, fast moving, and impeccably executed. It surely deserved better than a late night slot and the minimal publicity it received.

grant-wray In the first episode we follow a police complaints division investigation into brutality accusations at a police station. The drama is shown from the point of view of Amy, a young female officer who's 'collar' is murdered in an interview room. As she tries to clear her name during the 'lock-down' no-one can be trusted, and the division between right and wrong blurs remarkably. This is a well made TV drama that shows off the talents of Elaine Cassidy well. My only gripe is that the makers had the chance to break the mould for this kind of drama and chose not to do so. Too many drama series produced today make use of the narrative style of showing things from the viewpoint of a single central character; it has become a writers cliché. The obvious conclusion of the first episode was that Amy was going to join the undercover squad after showing her mettle; she gave such a strong performance right from the outset that it became a foregone conclusion. How much more intriguing (and difficult) it would have been had they used the tension created during an internal investigation by showing it from the point of view of the people it affected, moving on to a new investigation and new central character each week.