The Phantom of the Opera

1990
7.4| 0h30m| en
Synopsis

The Phantom of the Opera is a 1990 NBC two-part drama television miniseries. It is adapted from Arthur Kopit's book for his then-unproduced stage musical Phantom, which is based loosely on Gaston Leroux's novel.

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Reviews

TeenzTen An action-packed slog
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
kkretz07 I can't agree more with the previous poster...this has got to be the best version of TPotO ever! It was my first introduction to the story...as a young child, my twin and I recorded it on a couple of old VHS tapes. At times, a vacuum was running or our ancient computer was on so there was a great deal of 'snow' on the TV screen. But that didn't prevent us from falling in love with it...in fact, our tradition was to watch it at least once a year and many years later, when we were college bound...it was one of 2 movies we watched every year when we got together. The tapes eventually broke and I haven't seen it in at least 15 years but I miss it...oh, how I miss it! I did get the opportunity to see the musical on 2 occasions as well as another video version but I admit, I was terribly disappointed with all 3 of them. The musical and the other movie just fell flat for me...they couldn't touch this made-for-TV version; they just didn't measure up. My husband saw the musical and wasn't impressed (he's a Les Miserables fan...) but I'm wondering if this version might change his mind? I hunted down a copy years ago for a Phantom enthusiast...I think it's time I hunt down a copy for myself and my twin as well. Love it...highly recommend!
MissSimonetta I had convinced myself I was going to hate this movie. Among Phantom fans, this 1990 miniseries (later converted into a full film) has the reputation of being the most sentimental and sweet of all POTO adaptations. Being of the group that likes their Phantoms badass and menacing, I was surprised to find that I enjoyed this version, in spite of its lack of Gothic horror and a Punjab-tossing Phantom.The plot varies quite a bit from other versions of the story. The basic premise I still there: a deformed genius living under an opera house becomes infatuated with a beautiful singer and seeks to make her love him despite his ugliness. Unlike other tellings of the story, this version lacks outright horror: the Phantom never directly kills anyone, they're either by accident or via booby traps, and the most homicidal the Phantom gets is when he threatens to blow up the opera. Romance and comedy replace terror, as most of the story's focus is on the love triangle between the Phantom, Christine, and Raoul, and the rivalry between Christine and the manager's spoiled (and talentless) wife Carlotta. That's not to say the entire film is all roses; the comedy and light-hearted tone of the film all but vanishes by the second half, where the story takes a somber turn as it concentrates on the Phantom's despair at being rejected by Christine and the young opera singer's love for both her suitors. The film is highly emotional (especially the last few minutes, which are guaranteed to make you weep) without feeling forced or sappy.As Erik (the Phantom), Charles Dance gives the movie much of its emotional impact. In spite of myself, I was charmed by Dance's performance. Initially, I was put off by his out of place American accent, the fact that he has a father in his life (which takes away from the character's sense of loneliness), and his tendency to preen the unmasked portions of his face with a powder puff. But once he started with his sarcastic quips, I began to warm up to him. True, he's a milder version of the insane Phantom we all know and love, but the character's jealousy and longing for love still come through, albeit in a less aggressive manner. And Dance does such a fine job here, conveying emotions purely through his eyes at several points in the story.The second best performance goes to Burt Lancaster, who plays Erik's father, the former manager of the opera who struggles to protect his son from the world while also protecting the innocent lives threatened by Erik's actions. The character has an interesting history of his own and you really feel for him. Teri Polo and Adam Stroke are less memorable as Christine and Raoul. While Stroke does a passable job, Polo's acting is a bit weird. Though she looks the part, she comes off as a touch ditzy rather than merely naïve.This film has the virtue of being filmed at the actual Paris Opera House. The sets are all gorgeous and the subdued lighting really gives off a Gothic touch. Special mentions should also be given to the gorgeous costumes and music.Though far from my ideal version of the story, I cannot deny that this version is one of the better incarnations in terms of quality. The sets are beautiful, most of the acting's great, and by the finale, you're sure to be in tears. Even if you despise the idea of a cuddlier Phantom, watch anyway. Like me, you might just end up enchanted by the time the credits roll.8/10
jagflight This is my favorite version of The Phantom of The Opera. Burt Lancaster did a wonderful job as Gerard, Erik's Father. My favorite scene was when Gerard and Erik are talking and Gerard finally tells Erik the truth that he is his father. Erik says "i was wondering when you'd say".Gerard gives him a look.Erik says something like" My eyes are the only thing i can look upon in the mirror with out wanting to break the glass, but they aren't her eyes, they're yours." (Erik and Gerard were talking about Erik's Mother)So Erik knew all along that Gerard was his father.The movie made me cry so much. I haven't seen that movie since it aired in 1990, but i remember that scene.i wonder if it's on DVD or VHS somewhere.
angelsgrl Having not been familiar with Phantom of the Opera when I first saw this at age 10, I fell in love with the delicious storytelling and compelling characters. Charles Dance is superb as Eric- the perfect antihero that you just have to sympathize for. Needless to say, everytime I see Terri Polo in a film, I always think back to when I saw her in this miniseries...she did a brilliant job as such a young actress. While I have heard many praise ALW's version of this tale, I believe this version highly excels many expectations of those who are just suckers for romance and intrigue.