The Shining

1997
6.1| 0h30m| en
Synopsis

A new caretaker moves with his family into the mysterious Overlook Hotel for the winter.

Director

Producted By

Warner Bros. Television

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Reviews

Inclubabu Plot so thin, it passes unnoticed.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Cody One of the best movies of the year! Incredible from the beginning to the end.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
geolot1256 I just re-watched what I will call the "real" movie (even though it wasn't the Stephen King authorized version) and then watched the miniseries version the next day. Wow, the miniseries was an amateurish joke with no comparison to SK's version (I don't care that it departed from the book, since we are talking about movies here).The TV version was flat, cheesy, overdone with the ghosts (which took away their effect). The series just seemed like it was going through the paces to get the plot elements on screen as quickly..The ghost in the black tuxedo was pathetic and the one in the white one wasn't much better. The hotel was not spooky in the slightest and the hedge animals were as scary as Jar-Jar Binks. There was no atmosphere to the location and there was no feel or mood to the scenes.. it was just so one-dimensional in comparison.The actors for the two male roles were also not suited to them IMO. I know people complain about Jack Nicolson being too crazy from the outset, and this departs from Stephen King's version, but I am OK with that after having seen it done both ways.. In the TV version, he never gets there and you can tell he isn't capable of getting there. And the boy: OMG so annoying and flat. The conversations between him and mom with dialog like "it's not dad, it's the hotel..." unconvincing and no true fear, just cold and robotic.The Danny Loyd version was chilling and the TV one was annoying and formulaic.Shelly Duval also did an awesome job of conveying the fear and despair of Wendy's predicament- very believable.I could go on, but won't.... suffice it to say, I was embarrassed for the TV miniseries creators after seeing it.
nuoipter termer This is an excellent movie. It's very scary and entertaining. I loved the animals carved out of plants coming to life scene. That's one of the scariest and best scenes. I also loved the part with the ghost in the bath tub. That was just wildly intense. It doesn't matter how faithful to the book a movie is. It just matters how good the movie is. Both this and the 1980 version are very good. Jack doesn't use an ax in this one when he has gone completely insane. He uses a croquet mallet but the terror is no less. In fact I would say the terror of that is more intensely done. The music in this is very good too. It's very creepy. Watch this. It's entertaining from beginning to end.
OllieSuave-007 This is a very good mini-series adaptation on the horror classic, a story about the Torrence Family who become caretakers for an isolated hotel. The son, Daniel Torrence (Courtlead Mead) sees paranormal images of the hotel's past using a telepathic gift known as "The Shining." The father, Jack Torrance (Steven Weber), is slowly being driven insane by the spirits that lurk the hotel, threatening his wife Winifred (Rebecca DeMorney) and Daniel.The creepiness and eerie atmosphere of the hotel gave the perfect setting for the movie, making the audience jump when demonic creatures appear and when horrific events occur. The characters, for the most part, did a nice job portraying their roles - not on the same league as the actors in the original movie, but still on par in delivering some great performances. I think the cast in this mini-series was more engaging and I feel you actually connect and understand them better than the more eerie and unpredictable characters in the original film. The plot, for me, was easier to follow and grasp than the original movie and I thought the subplot about Daniel seeing an image of a young man, guiding him during difficult times, was a nice additional to the plot; it actually made the story more captivating. I also enjoyed the parts where the protagonists take on the evil spirits and how ***spoiler ahead*** the ending actually wraps the story better than the original film.Overall, it's a very good horror mini-series for a scare.Grade B+
Rueiro I am not going to compare this piece of rubbish to Kubrick's film; too many viewers have already done that.In my opinion, "The shining" is one of King's few novels worth reading. Some parts of it are slow-paced and boring, with the usual long descriptions of the characters' past and misfortunes in which King always likes to indulge himself for dozens of pages. That is the most irritating thing about his books. It is OK if you are writing "War and Peace" or "Gone with the Wind", but not for a horror flick. You should stick to the main story instead of creating sub-plot family melodramas.Anyway, "The Shining" is not an easy book to adapt, and only a very competent screenwriter who knows his trade and a film-maker equally effective can deliver a good movie out of the book. Kubrick, who was both things, did it, and that was it. They could try and make a dozen remakes of the story in the next one hundred years and they wouldn't get it any better. I re-read the novel very recently, and then I watched King's only approved and much blessed official adaptation in order to see how true to its title is. I felt pity. It is more faithful to the book than Kubrick's, I gave it that, but still it is not as faithful as the title and all the publicity initially promise, and that is cheating the spectator. All right, it shows Jack's alcoholic past in flashbacks, but was that really necessary in order to understand what happens later at the hotel? Also it shows Tony, and what for? In the book Danny only sees him once or twice and always from very far away, a blurred shadow. Why turning him into a character that is popping up in the screen every half an hour? He can't help Danny at all but only keeps telling him he shouldn't have come to the hotel, so what's the point? It is bloody irritating, and the actor looks silly!Then, there is the topiary. I laughed at the ignorance and ingenuity of many viewers who rave about this remake and put Kubrick's film down only because it doesn't show the hedge animals... Dear cultured critics: back in 1980 CGI was still sci-fi fantasy, and the only way to have shot that sequence would have been by combining live action with animation (go and check "Mary Poppins" to see what I'm talking about if you don't follow me). So Kubrick did very well by leaving the episode out instead of making a silly thing that would have looked laughable in what is supposed to be a a horror chiller. And that is precisely one of the biggest follies this adaptation has, and even the CGI is cheap and badly done and brings more laughs than shivers because the animals look like bird droppings on the snow!Then the cast is terrible. Someone mentioned that a monkey with a telephone book would have done a better casting, and he is right. The actors seem like they never bothered to read the book in order to understand what the story is about and get to know their characters. The kid was just that, so we can't blame him. But Rebecca de Mornay and the fellow who plays Jack (who is he, by the way?) are as plain as cardboard cut-outs, and the same goes for the guy doing Grady, who instead of looking menacing he is a total duck. And Van Peebles looks like he just popped out of a Busby Berkeley musical, I was expecting him to burst singing and tap-dancing any second. The only one of whom it can be said gives a decent performance is Elliott Gould, who plays Ullmann as the cynical, sarcastic, tight-fist snob who thinks of "his" hotel as the greatest thing on earth, just as described in the book. And as for Stephen King's surprise cameo as the orchestra conductor, I didn't know whether to laugh or to be angry because he looks like a Loony Tunes caricature of Xavier Cugat.And then, the director of this mess seems to have thought himself to be a new Stanley Kubrick and tried to imitate the master's trademark of slow tracking shots that precede key events. Didn't he have any self- respect? And the ending... so happy-ever-after that is laughable, and so overloaded with syrup that it could kill a diabetic just from looking at it. This multi-million dollar egotistic heap made only to satisfy King's ego is just a waste of time, money and celluloid.