The War of the World

2006

Seasons & Episodes

  • 1

7.6| 0h30m| en
Synopsis

A documentary in which controversial historian Professor Niall Ferguson argues that in the last century there were not in fact two World Wars and a Cold War, but rather a single Hundred Years' War. A compelling argument is made to consider all of the conflicts of the 20th century in a broader context.

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Reviews

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
elbabun A critical debate between Pankaj Mishra and the author is extremely illuminating: www.lrb.co.uk/v33/n21/pankaj-mishra/watch-this-manWhether the author is a classical Charles Oman's vulgarisateur or a la Ann Coulter from across the ocean is for the viewer to decide!Were you to lament the former glory of British Empire with instinctive patriotic zeal and wistful for its positive accomplishments, then this is a movie you will appreciate. Were you to instinctively demonize British Empire, then you likely will feel insulted over and over through this movie. The academic debate on the role of Colonial Empires is much more balanced with careful assessment of incidental benefits that rule brought and negative consequences that exploitation brought.It is unfortunately full of outright erroneous emotive pabulum steeped in old stereotypes. Ascribing white supremacist views to Russian elites in pre-WW1 days, is a classical Jungian externalization of eugenics enamored British tendencies of those days. Russia was afflicted with messianic zeal. But the famous and shameful "burden of white man" was substituted with equally questionable "defender of Orthodox faith" and "Third Rome" rhetoric, hence supra-ethnic definition of Russian nation as any Orthodox Christian living within borders of Russian Empire.In short, it is a good and entertaining product from the self-proclaimed champion of counterfactual history. Just as one allows for creative freedom in fiction movies for the sake of production's amusement value, this movie deserves no less.
Robert J. Maxwell I'm only about half way through this thoughtful and candid history of wars -- both hot and cold -- in the last century, so I might edit some of this later. Right now, Niall Ferguson's take on the causes of war strike me as fairly original. I don't see much of "the same old thing" that some others have remarked upon, except of course that, in describing these world conflicts some of the same newsreel footage is used.It's odd because, judging from Ferguson's background in economic history, one would imagine him to be a materialist. Instead, the argument he seems to be pushing in this documentary is that one of the more important features of waging war is not so much economics as ethnocentrism -- a sense of "us" against "them", with "them" being infinitely inferior to "us" and worthy of deportation or extermination.Well, there's no question that a sense of what Emile Durkheim called "mechanical solidarity" is important in warfare. During the Battle of the Crater in the American Civil War, frenzied white Union troops trapped in a maze of trenches and craters turned their bayonets on their African-American comrades in arms. The colored troops were on our side but they weren't enough like "us." In America today there are those who believe the president is not enough like the rest of "us" either.That sense of ethnic and racial allegiance seems to be deeply rooted in human nature. (If we want to get rid of it, maybe we should start looking for an antidote to testosterone.) But sometimes I get the feeling that, in giving us a history of the ethnic and racial aspects of war, Ferguson may put the cart before the horse. I guess I'm more of a materialist than he is because there are times when he seems to be mixing up the independent and dependent variables, cause and effect. The demonization of the enemy, it seems to me, is more likely to follow than to precede the definition of the enemy.You've got to know who to demonize before you can do the deed. And you define the enemy because they have something you want and you believe you can get it by conquering them. THEN you demonize them.No one is likely to say, "Those rag head bastards have all this oil and we need it. Let's invade their country, kill everybody, and steal their oil." You can substitute "mangoes" for "oil" if that's bothersome.That doesn't explain Hitler's treatment of the Jews in Europe very well, which seems to have been a convenient drum beat designed to stir up sufficient hatred among the Volk to get them to march together. But it seems to have had more of a bearing on the Japanese treatment of the peoples of Asia -- the Chinese, the Fillipinos, and the Maylasians. Asia had oil and natural resources like tin that the Japanese were desperate to get.But who knows? Ferguson HAS taken material considerations into account. And, after all, who can explain all the motives behind a single homicide, let alone a War of the World.
njmollo The War of the World by Professor Niall Ferguson is touted as a radically different perspective on the wars of the last century. In fact this diatribe has a tendency to state the obvious.One word is used often, Inhuman. This word suggests that cruel violence is contrary to human behaviour but in fact human beings have consistently shown through out history a prevalence for violence rather than any other characteristic. It is interesting to see that after some time has passed conspiracy can be legitimately entered into historical record such as the false flag operations of the Japanese against the Chinese or the general acceptance that Pearl Harbor was not the surprise attack it was publicised to be. Professor Niall Ferguson is ready to believe acts of state sponsored terrorism but remarkably supports the crazed lone gunman theory when talking about the assassination of JFK.For a more rewarding documentary on war, ideology and human behaviour I would recommend the "The Power of Nightmares: The Rise of the Politics of Fear" (2004) by Adam Curtis.
aarone2884 This differs from most War documentary as it try's to look at All the major conflicts as one long conflict of the 20th century. Does it Work? Not defiantly. but it does well.It is a 6 part series, the first 3 to 4 episodes i was a bit disappointed in the show to be honest, as nial seemed to just cover the "the same old ground" nothing profound (sill very watchable though)And nothing more than i had learned or deducted from many WW1 and WW2 Documentary's. (in fact in comparison to Documentary like "The World at War" http://www.imdb.com/title/tt0071075/ (don't confuse the two)It was lacking in detail of the WW2 period. but the real twist in this series comes in the last 2 to 3 episodes. (the assumption is most people will watch this thinking it is about WW1 and WW2 only...Keep watching)He links up all the wars of the 20th century to the true main ingredients of what makes any vicious war...RACE and Economy. And you will find he will reference parts of the early episodes to back up his arguments very well.I don't fully agree with his causes of WW1 or even WW2 for that matter. but his overall linking of the wars of the 20th century is excellent. Unfortunately i feel there was not enough time to go through all the details from 1960 to 1985. where i kinda feel the show should have started from the 1950's....and only used WW1 and WW2 as reference rather than dedicate 3 episodes to it...but this would be based on the assumption that anyone watching would already have a good understanding of WW2 and WW1.As it is such a large encompassing 100years of history it is hard to be perfect, and at the same time accommodate any audience. Finally it may leave you in a bit of shock towards the end of the series. I wont elaborate as to what it may or may not portend the future to be for Europe or the world for that matter....but it will make you sit up. Great show, well worthy of any arm chair historians collection.