Гамлет

1964
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Reviews

Jeanskynebu the audience applauded
Nonureva Really Surprised!
Brightlyme i know i wasted 90 mins of my life.
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
chengiz The subtitles on this one are terrible. Shakespeare's actual words come up about half the time; the rest of the dialogue is untranslated. If you know the story, it's at best a waste of time: the entire *adaptation* aspect is lost, and even so *you* are filling in half the story. If you dont know the story, it's probably impossible to follow. The adaptation may be brilliant but it's a form of masochism to watch for a non Russian speaker.
Red-125 Hamlet (1964) (original title Gamlet) is a Russian adaptation of Shakespeare's play, directed by Grigori Kozintsev. The film stars Innokentiy Smoktunovskiy as Hamlet, and Anastasiya Vertinskaya as Ophelia.I saw this movie as part of a Shakespeare in Film honors seminar that I'm auditing. It surprised me that I enjoyed this version of Hamlet so much. After all, it was filmed 50 years ago, in black and white, mainly in Estonia, during a period when the Soviet government was monitoring every frame of every movie for possible deviation from the politically acceptable.Nonetheless, the movie worked for me. Elsinore Castle--artificially constructed, as I learned from IMDb--looked very realistic. Also, the castle had life in and around it. When you think about it, most film Hamlets are shot almost in a vacuum. You don't get any sense that anyone lives in or works in the castle. This Hamlet is the exception-- extras are everywhere, working hard and keeping the castle functioning.The acting is generally excellent. I was particularly impressed by Anastasiya Vertinskaya (Ophelia). She went on to become a noted Russian film star. This role was a turning point in her career. She's extraordinarily talented. She acts--and appears--like someone who belongs in the setting. She doesn't have the buffed, "I am a star" attitude of many women who play Ophelia.Prince Hamlet tells us that, to him, Elsinore is like a prison. Kozintsev emphasizes this aspect of the castle. In the beginning of the film, the portcullis closes ominously. Even if you don't know the plot of Hamlet, you know that trouble is ahead after you've seen the first few frames.Some of he students felt that seeing Shakespeare in translation just doesn't make sense. After all, Shakespeare is the greatest master of the English language. Boris Pasternak apparently translated Shakespeare's language into Russian, but that doesn't help us. I would have thought that the subtitles who have reverted to Shakespeare's English, but they don't. Unless you speak Russian, you have no idea of what the Russian audience is hearing. Does that mean that all that's left (for us) is the plot? Some of the students thought so, but I disagree. There's a third element besides language and plot--character. Hamlet, Claudius, Gertrude, Polonius, and Ophelia all have a distinct character, set down by Shakespeare for us to understand and interpret. I think that in this movie, even though we lose language, Kozintsev allows us to see character. So, even without Shakespeare's language, this film has much to offer us. (Music by Dmitri Shostakovich is an added bonus.)I saw the movie on the small screen, where it worked pretty well. It would work better in a theater. If it's not playing in revival, watch it on DVD. It's definitely worth seeing, and I highly recommend it.
erika_takacs In fact Smoktunovsky was not a Holocaust survivor: he was captured as a soldier wounded in the war, but as he got better he escaped from the German camp., back to the partisans and then he went back into the war. Of course he was very young: only 17-18 when this happened, and became a real actor just in the 1950-s. He was the son of a Russian Jewish family (had Polish roots), and when he was young he wanted to become a film-technician: his career was cut because of the war. After the war he decided to become an actor, but he wasn't able to finish the actor's school: he got actor's jobs in the cities of the Caucasus, where his colleagues taught him how to act, and encouraged him to go to Leningrad and find a job as an actor. He went there into a film-studio, and very hardly but fortunately got a job in the Lenfilm's theatre. The rest is history: he got most of the roles what all actors just dream of but he didn't get conceited. He just humbly served his public till the end of his life.
dmeltz I have to marvel at the production values in this wonderful film. Exquisite sets, lighting and costumes. Stunning location. Epic original music score by Dmitri Shostokovitsch -- the music alone is more than enough to recommend this film. Great acting by, among others, Innokenti Smoktunovsky as Hamlet. Every scene an artistically complete poem of light and sound. Oh, and if you wonder what it's like to hear Shakespeare in Russian . . . it's great! The translation is by Boris Pasternak, one of the finest poets in any language. An epic treatment of the epic story.